Here are some stops worth checking out:


Selfoss is just being a dozen Midwestern towns. There’s the hotdog stand for the kids and kids Men's Nike Air Force 1 Low Just Do It Pack Orange Australia , the one pizza set up town, and Margaret’s bakery at the corner. There’s a KFC too, on Austevegur. You have to cross a bridge to get into Selfoss.


The grand Hotel Selfoss stands regally with the entrance to the community, across from the hotdog remain. For a place to keep check out Bed at Breakfast, a high class hotel that is once a hospital. Just simply down Austevegur, it’s your hostel on steroids. Significant clean rooms from its previous hospital days, large space showers having those cool raindrop circular shower heads that can come from overhead.


Further combined Route 1 lies Hvolsvollur. On the outside, it a dead put: an Orkan gas train station, an N1 dining reverse. Once you turn amazing main street things, get hold of exciting. Hvolsvollur is home for the Sagas of the Icelanders, testimonies past down since middle ages times. The Saga Center in Hvolsvollur is definitely the go-to place for as much as possible related the Icelandic Sagas.


Down the road some more kilometers is Go?? aland Guesthouse. Built in what had been a school, it’s a guesthouse built for ones gods. With property being prohibitively expensive to enhance right now, many Icelanders are investing in real estate and improving existing buildings for different uses, such as the aged hospital in Selfoss and also this old school in Flj???? tshli??.


Another couple much longer than that kilometers along Route 1 lies Sm?? rat?? n, some sprawling plantation of hotel for tourists. Built you are using operating farm, Hotel Flj???? tshli?? may be a four star hotel built due to a barn. It consists of ballroom that can easily rival those associated with Washington D. C. Lodgings. The kitchen prepares three meals just a day for the guests, which is often up thirty people, remaining in fourteen rooms.


Sm?? rat?? n has the benefit of a guest house, which holds thirteen guests in many quirky rooms: One room has mural photography relating to the walls, one bathroom seemingly baby blue. There is really a kitchen for the attendees, which can hold up to forty people. This kitchen is also available to backpackers when using the camping area nearby.


Five more cabins can be obtained at Sm?? rat?? and. These are six-man summer houses that will be like mini homes filled with stocked kitchens and a loft with the young ones.


All the actual accommodations at Sm?? rat?? nare have a very good perfect view of your infamous Eyjafjallaj?? kull volcano, which lazily puffs steam to your sounds of breakfast prepared within the hotel’s staffed restaurant-worthy the kitchen area.


Turns out, Hvolsvollur isn’t a seriously dead place. It’s got the most amazing accommodations for hikers, riders, and tourists in typically the Su?? erland. They’ll feed on and sleep well at this point.
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EARLIER this summer, Luis Fonsi’s “Despacito” became the most-streamed song of all time — an incredible feat for a record that’s predominantly in Spanish.


But it increasingly looks like it won’t be a one-off.


Another Latin American song, “Mi Gente,” has replaced “Despacito” at the top of Spotify’s Global Top 50. In the U.K., it’s just broken into the top 20.


“It’s amazing. It’s such a blessing,” says singer J Balvin, the Colombian artist who’s behind the song.


Already a huge star in South America, Balvin has been credited with revitalizing reggaeton — a hip-hop-infused blend of reggae and rap that originated in Puerto Rico in the late 1990s.


Over the course of four albums, he’s taken the genre once called “reggae en Espanol” and infused it with African, electronic and Caribbean flavors.


More importantly, his lyrics trade reggaeton’s gritty, underground roots for a more universal, romantic narrative.


“Mi música no discrimina a nadie,” he sings in “Mi Gente,” meaning “my music doesn’t discriminate against anybody.”


“Exactly!” says the star, when he talks about the lyric. “I’m Latino but I don’t do music for Latinos. My music is for everybody in the world.


“Music has to be a tool to unite people, to get people together. It doesn’t matter the race, the language and the culture. So that’s what I’m saying when I sing that line.”


The global perspective is evident on “Mi Gente,” which has its roots in a French track — “Voodoo Song,” by Willy William. That song, with its chopped-up vocals samples and hopscotch drumbeats, provides a bonkers backbone to Balvin’s hit (which William also produced and sings on).


“We took a risk to make new music, new colors, new ways,” says Balvin. “It’s crazy what we created.”


So what lies behind this sudden explosion in music from Latin America? Aside from Luis Fonsi and J Balvin’s megahits, there are five other Spanish-language songs in the Spotify Top 50.


Lucian Grainge, head of Universal Records, says streaming is the key — giving Latin American artists a platform they would never have received on U.S. (and U.K.) linguistically conservative radio stations.


“Streaming has changed the face of music discovery and music consumption,” he told the BBC last month.


“We’re at the forefront of a new creative era [where] anyone who is good can find an audience.


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